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The Words do not give any Answer.

Everything is in A Breath.

Expire the Nothingness.

RAW TRIP POP ART.

Psychedelic art.

The Trickster is transcendent, while the Deceiver is limitless.

The Trickster manipulates people into doing good. The deceiver manipulates people into doing evil. Then it remains to answer the question of what is Good and what is Evil.

Manipulate?
Influence without words, or implicitly, or ”between the lines”?
Flowers affect us. Nature affects us. Advertising affects us.

The platypus could just as well be a fairy tale animal, mythical or mythological; like the unicorn or the skvader.

The Archeopteryx as the Failing Link between Bird and a Lizzard.

We can roughly know how the signaling substances move between neurons, nerve cells, and synapses, but how could it both be described and experienced in the same moment.


From DMT and similar psychedelic drugs, humans can experience and see advanced mathematical patterns. Where, how, and when do these mathematical patterns arise? Is it the brain that constructs them and, if so, how?


How can mathematical fractals resemble psychedelic patterns?


Could the mathematical pattern, in e.g. a fractal, be the transmitter, signaling substance, via the neuron, the nerve cell, in the association path, experienced from the inside?

Can the Child experience Reality without limits, while the practicing Shaman, or the theoretical Mathematician, discovers Reality as in Transcending, over and overcoming, the limits?

Can the Fool experience the Game without limits, while the practicing Magician, or the theoretical Emperor, discovers Reality as in Transcending, over and overcoming, the limits?

”Among the work forerunners of psychedelic art, the following authors and artists can be noted: Lautreamont, Louis-Ferdinand Celine, Stanislav Witkevich, Antonin Artaud, Georges Bataille, William Burroughs, De Quincey, Terence McKenna, Carlos Castaneda. Mikhail Bulgakov is the first writer to describe narcotic hallucinations. In particular, art researchers Tim Lapetino and James Orok trace the connection of psychedelic art with Dadaism, Surrealism, Lettrism, and Situationism.[1][2]

The early examples of ”psychedelic art” are literary rather than visual, although there are some examples in the Surrealist art movement, such as Remedios Varo and André Masson. Other early examples include Antonin Artaud who writes of his peyote experience in Voyage to the Land of the Tarahumara (1937) and Henri Michaux who wrote Misérable Miracle (1956), to describe his experiments with mescaline and hashish.”

Inspiration from:

And:

And:

My watercolor synt.

Inspiration from:

Stockholms jazz

Hesselby Krukmakeri

Denna mishmash skulle kunna vara min samlade upplevelse av vad ”Verkligheten” är, så som jag har upplevt den nu under 65 års tid.

This mishmash could be my collective experience of what ”Reality” is, as I have experienced it now for 65 years.

Ce méli-mélo pourrait être mon expérience collective de ce qu’est la ”Réalité”, telle que je la vis maintenant depuis 65 ans.

قد يكون هذا المزيج هو تجربتي الجماعية لماهية ”الواقع” ، كما عايشته الآن منذ 65 عامًا.
qad yakun hadha almazij hu tajribati aljamaeiat limahia ”alwaqie” , kama eayashath alan mundh 65 eaman.

この寄せ集めは、私が 65 年間経験してきたように、「現実」とは何かについての私の集合的な経験である可能性があります。

Kono yose atsume wa, watashi ga 65-nenkan keiken shite kita yō ni,`genjitsu’ to wa nanika ni tsuite no watashi no shūgō-tekina keikendearu kanōsei ga arimasu.

這種混雜可能是我對“現實”是什麼的集體體驗,因為我現在已經體驗了 65 年。
Zhè zhǒng hùnzá kěnéng shì wǒ duì “xiànshí” shì shénme de jítǐ tǐyàn, yīnwèi wǒ xiànzài yǐjīng tǐyànle 65 nián.

דער מישמאַש קען זיין מיין קאָלעקטיוו דערפאַרונג פון וואָס איז ”רעאַליטי”, ווי איך האָב עס איצט יקספּיריאַנסט פֿאַר 65 יאר.
der mishmash ken zeyn meyn kolektiv derfarung fun vos iz ”realiti”, vi ikh hob es itst ixpiryanst far 65 yar.

Hierdie mengelmoes kan my kollektiewe ervaring wees van wat ”Realiteit” is, soos ek dit nou al vir 65 jaar ervaar het.

Эта мешанина могла бы быть моим коллективным опытом того, что такое «Реальность», как я это переживаю вот уже 65 лет.
Eta meshanina mogla by byt’ moim kollektivnym opytom togo, chto takoye «Real’nost’», kak ya eto perezhivayu vot uzhe 65 let.

Þetta óraun gæti verið mín sameiginlega reynsla af því hvað ”Raunveruleiki” er, eins og ég hef upplifað það núna í 65 ár.

Deze mengelmoes zou mijn collectieve ervaring kunnen zijn van wat ”Realiteit” is, zoals ik die nu al 65 jaar ervaar.

Ця плутанина може бути моїм колективним досвідом того, що таке «реальність», як я відчуваю це вже 65 років.
Tsya plutanyna mozhe buty moyim kolektyvnym dosvidom toho, shcho take «realʹnistʹ», yak ya vidchuvayu tse vzhe 65 rokiv.

Esta mezcolanza podría ser mi experiencia colectiva de lo que es la ”Realidad”, como la he experimentado ahora durante 65 años.

Essa confusão pode ser minha experiência coletiva do que é a ”Realidade”, como a tenho experimentado há 65 anos.

Ev tevlihevî dikare bibe serpêhatiya min a kolektîf ya ku ”Rastî” çi ye, wekî ku min ev 65 sal in ku nuha ezmûn kiriye.

Mishmash-tani waxay noqon kartaa waayo-aragnimadayda wadajirka ah ee waxa ”Xaqiiqdu” tahay, sida aan hadda u soo maray 65 sano.

एषः मिश्माशः मम सामूहिकः अनुभवः भवितुम् अर्हति यत् ”वास्तविकता” किम् इति, यथा अहम् अधुना ६५ वर्षाणि यावत् अनुभवितवान्।


Dh’ fhaodadh an mishmash seo a bhith mar an eòlas coitcheann agam air dè a th’ ann an “Reality”, mar a tha mi air eòlas fhaighinn air a-nis airson 65 bliadhna.

Bu karmaşa, 65 yıldır deneyimlediğim şekliyle, ”Gerçek”in ne olduğuna dair kolektif deneyimim olabilir.

Questo guazzabuglio potrebbe essere la mia esperienza collettiva di cosa sia la ”Realtà”, così come l’ho sperimentata ormai da 65 anni.

دا مسماش ممکن زما ډله ایز تجربه وي چې ”حقیقت” څه شی دی، لکه څنګه چې ما دا اوس د 65 کلونو لپاره تجربه کړې.

Ova zbrka bi mogla biti moje kolektivno iskustvo o tome šta je ”stvarnost”, kako je sada doživljavam već 65 godina.

Tiu ĉi konfuzo povus esti mia kolektiva sperto pri tio, kio estas ”Realeco”, kiel mi spertis ĝin nun dum 65 jaroj.

Dëse Mischmasch kéint meng kollektiv Erfahrung vu wat ”Realitéit” ass, wéi ech et elo säit 65 Joer erlieft hunn.

(This is for FUN!)

Caring for people will never go together in the long term. Every year even better machines and devices than those that already exist and can be used today enter the market. Every year the pharmaceutical industry comes out with new substances and treatments.
Costs are rising. The hospitals’ ground rents are rising. Personnel costs can only be reduced to a certain level, then the entire care structure, which is based on continuity, practical experience and tacit knowledge, collapses.
The digital technology is in itself something good, but as it is updated and upgraded all the time, even more qualified specialist personnel are required. It will require even more training in new techniques and technologies.
The technology will come with metaverse and more 3D technology to offer patients remote, digital, remote operations. A surgeon in India can operate on a patient in Malung. Companies, both private and regional, employ specialists who are employed by completely different companies and companies, within Sweden, the EU or another foreign country. The requirements for effective verbal and written communication will increase. Continuity with practical routines and tacit knowledge ends up in a digital no-man’s land.


Because every time a new machine, device or treatment method comes on the market, there will be patients and relatives who demand that this technology be used for their immediate victims of illness, injury or, often, diffuse pain. These costs will first and foremost affect taxpayers.
Basically, more and more of the technology is about the need for electricity, and that there are insurance companies that are prepared to invest in new and unproven methods.


As long as there are healthcare professionals who can talk to patients and relatives about diffuse pain, and distinguish which pains should be investigated further, perhaps with costly treatments, then even the old-fashioned care structure should work. Unfortunately, people with more difficult, possible, diagnoses are sorted out already at an early stage. The pharmaceutical industry is more focused on producing substances to reduce side effects from other substances, than on finding a more holistic approach.
Psychosocial problems are ignored, as some, which have to do with addiction, are considered ”waste of tax money”.
Specialist healthcare also leads to ”gaps” easily occurring between the various specialties.


Such ”gaps” can arise when even Swedish-born, Swedish-speaking, specialist doctors with different trainings do not understand how to communicate across the boundaries of the specialty. One such question may be about the medicine against high blood fats, cholesterol, where statins, such as sivastatin, are routinely prescribed, even to patients who show no signs of problems with cholesterol whatsoever. How much could such routine drug discharges cost taxpayers each year? The simvastatin itself can lead to side effects, for which other doctors prescribe other substances.

SPONGLE-hit.

Spongle Live-concerts.

GetAfix and Spongle
GetAFix and Spongle

My paintings inspired from Get A Fix and Spongle.